KANNEN GLANZ

Biography
Kannen Glanz, a native of Casper, Wyoming, is a dancer and choreographer currently dancing with SALT Contemporary Dance in Salt Lake City, Utah, under the direction of Amy Gunter-Lolofie. Kannen began his formal dance training at the age of five at Rising Star Tumbling and Dance Studio in Casper, Wyoming.
In 2016, Kannen relocated to Natick, Massachusetts, to attend Walnut Hill School for the Arts under the direction of Michael Owen. While at Walnut Hill, Kannen performed in repertory works by Samuel Kurkjian, Antony Tudor, and Gerald Arpino, as well as new creations by Walnut Hill faculty and guest choreographers such as Levi Marsman. In 2019, Kannen made his New York City debut performing Gerald Arpino’s Birthday Variations at the Joyce Theater in Chelsea to honor Walnut Hill’s 125th founding anniversary.
In the fall of 2020, Kannen continued his formal dance training at The Juilliard School under the direction of Alicia Graf Mack, with the goals of refining his technique and finding his artistic voice. Kannen performed world premieres by Tiler Peck, Rena Butler, and Jamar Roberts, as well as repertory works by Ohad Naharin, Trisha Brown, Justin Peck, and Jessica Lang. For his fourth year, Kannen participated in a professional exchange program, which allowed him to jumpstart his dance career with the Second Company at Cincinnati Ballet while completing his Bachelor of Fine Arts degree.
During his time at Cincinnati Ballet, Kannen learned and performed works by Jodie Gates, Gerald Arpino, George Balanchine, Anna Marie-Holmes, Victoria Morgan, and Yoshihisa Arai. Kannen also had the pleasure of creating a number of choreographic works for the Second Company and Academy Performance Ensemble.
Kannen’s professional development expanded his artistic work beyond year-round training and took him across the globe. Kannen has attended summer programs at Colorado Ballet, Walnut Hill School for the Arts, Ballet Austin, Pacific Northwest Ballet, The Juilliard School, Boston Ballet, Medhi Walerski Intensive Program at Orsolina28, and the Contemporary Ballet and Contemporary programs at The School at Jacob’s Pillow, where he premiered new creations by Annabelle Lopez Ochoa, Jennifer Archibald, Rena Butler, Sidra Bell, and Antoine Vereecken with Studio Wayne McGregor. Following his time at Jacob’s Pillow, Kannen was the recipient of the 2022 Lorna Strassler Award for Student Excellence presented by Jacob’s Pillow, which is awarded based on performance skill excellence, a demonstrated unwavering dedication to the arts, and vision of their role in dance. Kannen was most recently a member of the Biennale di Venezia College Danza under the direction of Wayne McGregor, preparing new creations by Wayne McGregor, Cristina Caprioli, Javier Sauco, and Enrique Flores for the 18th International Festival of Contemporary Dance.
Kannen’s choreographic work has been an equal priority in his movement practice and continues to be an avenue for his personal expression. Kannen’s time at Juilliard allowed him to choreograph various independent projects presented through Juilliard’s student choreographic workshops. A highlight of his choreographic journey was participating in the Choreographers and Composers program in his third year. Kannen was one of six choreographers selected to partake in the program, which pairs each choreographer with a composer from the Music Division at Juilliard to create a new concert work. Kannen’s piece Filling The Space In Between was the culmination of this time and was shared in collaboration with Wisconsin-born composer Jacob Beranek. Additionally, Kannen’s pieces Away, Not Gone and Secedewere selected by the Juilliard Dance Committee to be performed at Juilliard’s Choreographic Honors 2022 and 2023 programs, which select 15 student choreographic works to be shown on Juilliard’s main stage at Lincoln Center. Kannen’s choreographic practice continued as he returned to Jacob’s Pillow in 2024 as an Ann and Weston Hicks Choreography Fellow under the direction of Risa Steinberg and Dianne McIntyre.
Artist Statement
"As a dancer, I aspire to partake in movement that will help me find new facets of myself. What I appreciate most about dance is that it is a never-ending, explorative endeavor that I will never fully understand in my lifetime. However, I want to get as close as I can to knowing everything about it in the meantime. By the time I retire, I hope to move every fiber in my body in some way or another. Movement is intuitive and natural; therefore, it only feels right to want to do this for the rest of my life.
Choreography has been an avenue for me to find myself in the language of movement beyond my dancing, considering that the majority of my artistic work has been rooted in the practice and performance of other choreographers, fulfilling and articulating their voices onstage. Ultimately, I had to ask myself where I would fit into this art form and what I wanted to say through the development of my choreographic work.
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My practice at this time is particularly grounded in the understanding that I still have much yet to discover. At only 23 years old, my choreographic voice is blossoming in various ways, but I remain open to what could unfold in my work. I am at a point where I am understanding my instincts in creating my movement language while also navigating the uncertainty of the possibilities that lie before me. This is especially true as my work relates to other artistic mediums. I am ongoingly curious about the existence of live music and dance working together and the way different art mediums can interact with movement as a multidisciplinary practice.
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In my choreographic practice, I strive to challenge the ways codified dance forms exist as technical practices and craft them into a physical awareness that engages with narrative, emotion, and sensory experiences. These facets then produce a visually engaging landscape embedded with internal sensibilities, allowing both dancers and audiences to connect with the external world. I ultimately seek to capture the balance of form and feeling as an entry point to my personal experiences, cultural influences, and spiritual growth.
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As I continue on this path, I am reassured by my profound passion for this work. For me, movement and choreography coexist in a continuous exploration of self and our relationship to dance—an ever-evolving journey akin to a mountain that never quite reaches its peak. Yet, I am determined to climb that mountain for as long as I am able, embracing each step of the ascent with enthusiasm and resilience."

Deep Dive
A look into my artistic practice and performance work in an excerpt of
This Was Meant To Find You